Winter sees a fall of men by road or sleeping river, waking from the dream of Spring to its white antecedent. The fall of everything to entropy around their eyes, the charcoal grit that rings black around red suppurations; the movement of the hand's work from the breath of high office into the grey fist below. Their eyes are poured-in with green drainage from the day’s winding, tightening of remainders; the slaughter of the bulls on the noonday's ancient table. The cigarettes smoldering like brushfires, pushing Zeno’s neverending doom toward the city’s hieratic skirts. Desire, their arrows never find a mark in nail-hole or rage upon the road from bar to bever in the March snow. The snow around the window yellows like a philter made from concentrated, nighted humor censing from their wide and automatic laughing. February’s dead belly is found to have contained a thing unrecognized, some red ephemera of Autumn, some small and nameless unborn thing. The yellowed men must smoke to stay alive, cigarettes and pocket change and enough religious language for the changing of the guard or clocks, but no more to name the thing unrecovered from the earth. Who in ivory office above the ivory plain in a tor of ivory can hear nothing of the work that keeps ivory the sight, are doomed to ivory graves. Open high the gate with winch jangling and coiled in heaven: let the tattered muscle of the kingdom set to digging.
S.D. Higgins is a pot-scrubber and poet from Southern Ontario. He writes at the Bad Catechumen.
I love the rhythm of this, and the beauty of the imagery