Abandoned seminary hall outside Sentani, giant shoulders hunkered silent in the forest, marble terrace flanked by brown and scarlet pillars, pennants waving. Lightning flaring soft above the hills. I sit along the topmost step and read aloud a little while, pronounce each sound and letter, feel them pearling in my mouth and breathed into the dusk. All at once the burst of noise: shrill cricket-shriek and raindrops clattering on tin, a dozen masjids howling out their dour adhans, untethered anjings wet and yelping, last protest of soot-stained clouds and then sheer screen of sound across unfastened doors. I rise, reflect that all words have their spell, so long as they are said aloud for no one but ourselves and God. It’s how the crickets sing, and how the rain rings on the step to break the eremitic hush, and why the sky must still itself unfolded like a swelling sail before the torrent and the rush.
Samuel Wilson is a student at the University of Stellenbosch in South Africa, though he grew up in Canada. He believes poetry at its best should strike a delicate balance between praise for what God's grace has already accomplished and prayer for what it has yet to redeem. When not reading and writing, he can be found walking local trails, chatting with friends, or both.
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